
John Kennedy Toole’s A Confederacy of Dunces is a modern comic masterpiece: a whirlwind portrait of New Orleans in which the monumental, medieval-minded Ignatius J. Reilly wages war on “bad taste,” commerce, and nearly everyone he meets—while remaining blissfully blind to his own absurdities. Set amid department stores, dive bars, back offices, and the French Quarter’s shifting carnival, the novel turns everyday encounters into operatic farce.
Beneath the slapstick and verbal fireworks lies a sharp social satire. Toole skewers bureaucracy, policing, consumer culture, sexual hypocrisy, and the self-serving moral grandstanding that passes for philosophy. Yet the book’s comedy is inseparable from its humanity: a city of hustlers, workers, dreamers, and strivers keeps brushing up against Ignatius’ ego, loneliness, and need for refuge.
Celebrated after its posthumous publication, the novel endures for its singular voice, its vivid sense of place, and its ruthless, compassionate laughter at the chaos of modern life.