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The Golden Thread

How Fabric Changed History

Kassia St Clair

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The Golden Thread
Historical Context+
Linen in Ancient Egypt+
Silk in Ancient China+
Wool & Viking Expansion+
Polar Exploration Clothing+
Synthetic Fabrics+
Apollo 11 Spacesuits+
Athletic Tech Suits+

Quiz — Test Your Understanding

Question 1 of 8
Why do historians commonly refer to ancient eras as the 'Iron Age' or 'Bronze Age' rather than naming them after textiles like flax or wool?
  • A. Textiles were only worn by the elite and were not widely used by commoners.
  • B. Fabric is highly ephemeral and decays quickly, leading to an archaeological bias against it.
  • C. Early humans did not possess the technology to weave fabrics until the Iron Age.
  • D. Metals were the primary currency of the ancient world, whereas textiles had no economic value.
Question 2 of 8
According to the text, what was the true significance of linen wrappings in ancient Egyptian mummification?
  • A. They were a purely practical tool used to absorb embalming fluids and preserve the physical body.
  • B. They were used to display the deceased person's wealth to the public before burial.
  • C. They were a cheap alternative to the rare silk fabrics reserved for the pharaohs.
  • D. They were part of a highly ritualized process that imbued the dead body with sacred and spiritual meaning.
Question 3 of 8
How did ancient China use silk as a diplomatic weapon against the Xiongnu tribesmen?
  • A. They traded silk to intentionally spread diseases among the nomadic tribes.
  • B. They used silk and luxury goods to make the Xiongnu economically and culturally dependent on China.
  • C. They built massive silk banners to intimidate the Xiongnu armies on the battlefield.
  • D. They restricted the Xiongnu's access to silk, causing their local economies to collapse.
Question 4 of 8
What surprising material did the Vikings use to make the sails for their longships?
  • A. Wool, which was treated with a mixture of fats and tar to make it windproof and water-repellent.
  • B. Linen, which they imported in massive quantities from ancient Egypt.
  • C. Silk, because its tight weave naturally captured the wind without needing chemical treatments.
  • D. Cotton, because it dried incredibly quickly in the harsh ocean winds.
Question 5 of 8
Why did British explorer Robert Falcon Scott reject the use of highly effective eiderdown suits during his Antarctic expedition?
  • A. The down suits were too heavy for the men to carry while pulling sleds.
  • B. He rejected them because of their 'unheroic' appearance.
  • C. The suits were known to absorb sweat and freeze solid within seconds.
  • D. He could not afford to outfit his entire team with the expensive material.
Question 6 of 8
What was a major drawback of the early production of synthetic fabrics like rayon?
  • A. The fabrics were highly flammable and frequently caught fire in direct sunlight.
  • B. The production process exposed factory workers to highly poisonous chemicals like carbon disulfide.
  • C. They were too expensive to produce, leading to the bankruptcy of several large corporations.
  • D. The synthetic fibers could not be blended with natural fibers, limiting their commercial appeal.
Question 7 of 8
Which unexpected company was responsible for creating the spacesuits for NASA's Apollo 11 mission?
  • A. A military defense contractor specializing in deep-sea diving gear.
  • B. A high-fashion designer from Paris who prioritized aesthetics.
  • C. A women's underwear company known for making bras and girdles.
  • D. A commercial tent manufacturer that specialized in weather-resistant canvas.
Question 8 of 8
Why did swimming's governing body, FINA, ban the high-tech polyurethane swimsuits like the Speedo LZR Racer?
  • A. The suits caused severe skin irritation and restricted the athletes' breathing.
  • B. They provided uneven advantages by compressing soft tissue and adding buoyancy, acting akin to doping.
  • C. The suits were prone to tearing mid-race, causing excessive delays during the Olympics.
  • D. They absorbed pool chemicals, making them toxic to the athletes over time.

The Golden Thread — Full Chapter Overview

The Golden Thread Summary & Overview

Textiles are woven into every part of human history. Our continual reinvention of cloth is a testament to the irrepressibility of human ingenuity. The Golden Thread (2018) surveys the role of fabrics in numerous epochs and cultures, making it clear that fabric has always been more than simply clothing – it is an ever-evolving vehicle for human ingenuity and achievement.

Who Should Listen to The Golden Thread?

  • Lovers of fabric and textiles
  • History buffs
  • Fashionistas looking for inspiration

About the Author: Kassia St Clair

Kassia St Clair is a London-based freelance journalist and author. She is the holder of a first-class honors degree in history from Bristol University and a Master’s degree from Oxford University. Since 2013, she has written a column about color for Elle magazine, and her writing about design in culture has been published in The Economist and New Statesman, among other publications. Her acclaimed previous book, The Secret Lives of Colour, was published in 2017.

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