
The House Is on Fire reimagines the true 1811 Richmond Theater fire through a tight, cinematic mosaic of perspectives. On a bitter winter night, a benefit performance draws politicians, socialites, workers, and the enslaved into one crowded building. When flames burst above the stage, panic turns architecture into a trap—and survival becomes a matter of seconds, strength, and sheer luck.
Rachel Beanland follows four protagonists as the disaster unfolds and its aftermath ripples outward: a widowed woman navigating a world built for men’s protection that fails her; an enslaved young woman who recognizes that catastrophe can be cover for escape; an enslaved blacksmith propelled into heroism while white authorities search for scapegoats; and a teenage stagehand crushed by culpability and the machinery of denial. The novel’s power lies not only in the fire itself, but in what comes after—how a community mourns, rewrites events, and decides who is blamed, who is saved, and who is allowed to be remembered.