
In a near-future Midwest town hemmed in by corporate cornfields and surveillance drones, a teenage girl runs her household: she cooks, budgets, raises her six-year-old brother Michael, and quietly keeps their fragile life together after their father’s death. Then her mother—an acclaimed textile artist who takes in strays—brings home an injured crane wearing a hat, spectacles, and the dead father’s shoes, and insists the children call him “Father.”
The crane doesn’t leave. Instead, he consumes the home from the inside: food vanishes, feathers multiply, the sheep panic, and the mother’s body accumulates cuts and bruises she refuses to name. As the daughter investigates, she discovers the crane can become a man, and the “romance” is violence disguised as devotion. Trapped between social services, poverty, and a family legacy of mothers who “fly away,” the girl makes a desperate plan—one that saves her brother in the moment, but fractures their lives for years to come.