
In Heart of Darkness, Joseph Conrad sends his reflective narrator, Marlow, upriver in the Congo in search of the enigmatic agent Kurtz, only to find that the real subject is not geography but the perilous instability of conscience. With its layered storytelling, hypnotic imagery, and charged ambiguity, the novella exposes imperial “progress” as a theatre of exploitation—while refusing the comfort of simple verdicts.
Accompanying tales deepen the book’s range: An Outpost of Progress offers a ruthless irony about colonial administration and the fragility of European self-control; Karain probes loyalty, superstition, and betrayal in the Malay world; and Youth captures the romance and recklessness of early adventure, tinged with hindsight and disillusion. Together, these works mark Conrad’s emergence as a key innovator of modern fiction, confronting the listener with enduring questions about power, identity, and the stories we tell to justify what we do.