
Conquest is a layered literary mystery that winds through love, obsession, and the human need for meaning. Frank Landau, an anxious but brilliant programmer who hears the world’s pulse as music, disappears after a trip to Paris with a band of true believers. Rachel, the partner who loves him fiercely, refuses to accept he has simply walked away. Robin Clay, a former London detective with her own haunted past, agrees to look for Frank and finds herself drawn into a ring of cultural critics, artists, and scientists convinced that something alien has already infiltrated our ecosystem. Their ideas are not shouted; they seep in through Bach, through films and essays, through a long-forgotten science fiction novella called The Tower.
Set between south London, Scarborough’s sea-swept hotels, and a Highland town called Tain, the story folds fiction, concert review, and critical essay into a narrative that feels like a single voice thinking aloud. The result is a meditation on conspiracy and care—how a belief can hold a life together, and how it can quietly take it apart. Nina Allan’s characters are intimate, flawed, and bracingly real, even as the edges blur and two possible futures unfurl.