
This narration follows the early years of the Slovo House in Kharkiv—built as a cooperative home for writers and artists during the Ukrainianization period of the late 1920s and early 1930s. In its spacious apartments, creativity flourished: neighbors debated literature, shared books, staged impromptu concerts, played volleyball, and found small pockets of freedom in nature and friendship.
And yet, Slovo was also designed to be watched. Phones were installed and bugged, informants blended in, and the creative elite—so full of life—was steadily marked as dangerous. Through the “entryways” of the building, we meet writers, poets, directors, and composers, and we witness how hope was replaced by repression, leaving the survivors to carry fear, loss, and memory for decades.