Bunk audiobook cover - The Rise of Hoaxes, Humbug, Plagiarists, Phonies, Post-Facts and Fake News

Bunk

The Rise of Hoaxes, Humbug, Plagiarists, Phonies, Post-Facts and Fake News

Kevin Young

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Bunk
The American Narrative+
Psychology of Deception+
Racism and White Supremacy+
Cultural Erasure+
Evolution into Horror+
The Age of Euphemism+

Quiz — Test Your Understanding

Question 1 of 7
According to the book, why were early Americans particularly susceptible to fabricated stories like the Great Moon Hoax of 1835?
  • A. They were highly cynical of the early scientific establishment and preferred alternative theories.
  • B. The young nation lacked a deep sense of tradition and history, leaving it struggling to identify itself.
  • C. The education system was virtually non-existent, leaving the public unable to read critically.
  • D. They viewed hoaxes as a form of political rebellion against lingering British cultural influence.
Question 2 of 7
What primary underlying societal issue does the author identify at the heart of P.T. Barnum’s hoax involving Joice Heth?
  • A. The public's deep fascination with medical anomalies and extreme longevity.
  • B. The lack of journalistic integrity in early 19th-century print media.
  • C. The paradox of slavery and the deep-seated racism intrinsic to American hoaxing.
  • D. The growing anti-establishment sentiment leading up to the American Civil War.
Question 3 of 7
How did William Mumler’s 'spirit photography' successfully deceive the public?
  • A. It thrived by exploiting the intense desires of grieving individuals who wanted to contact deceased loved ones.
  • B. It provided what was considered at the time to be definitive scientific proof of the afterlife.
  • C. It was officially endorsed by prominent religious figures of the growing Spiritualism movement.
  • D. It utilized advanced camera technology that could not be debunked by the experts of the era.
Question 4 of 7
What does the author consider to be the most dangerous consequence of literary hoaxes, such as those by 'Nassijj' or 'Araki Yasusada'?
  • A. They defraud publishers and prestigious award committees out of significant amounts of money.
  • B. They cause the general public to lose trust in the broader publishing industry and investigative journalism.
  • C. They encourage other aspiring writers to plagiarize real historical accounts for personal fame.
  • D. They erase the real cultural history and narratives of the minority groups they falsely depict.
Question 5 of 7
How did the nature of the American hoax transform as it moved into the twentieth century?
  • A. It transitioned from harmless entertainment to highly sophisticated financial scams.
  • B. It shifted from a presentation of wonder and delight into a manifestation of society's fears and horrors.
  • C. It moved away from racial prejudices to focus exclusively on political and corporate espionage.
  • D. It became significantly less prevalent due to the rise of rigorous investigative journalism.
Question 6 of 7
How does the author describe the modern era of disinformation, characterized by phenomena like the 'Gay Girl in Damascus' blog?
  • A. A 'Post-Factual Era' where the public demands rigorous fact-checking from independent sources.
  • B. An 'Era of Accountability' where internet watchdogs easily dismantle political fabrications.
  • C. An 'Age of Euphemism' marked by a narrative crisis where spectacle is celebrated over the truth.
  • D. A 'Second Enlightenment' where faction and fact are clearly separated by mass media.
Question 7 of 7
According to the book, the public's acceptance of Donald Trump's political fabrications is deeply correlated with which of the following?
  • A. A widespread misunderstanding of economic policies among the working class.
  • B. Racist tendencies and a sense of superiority felt over minority groups.
  • C. The public's desire to completely dismantle the traditional two-party political system.
  • D. The failure of the modern education system to teach basic media literacy to voters.

Bunk — Full Chapter Overview

Bunk Summary & Overview

Bunk (2017) takes a look at the history of the American phenomenon of the hoax and identifies its inextricable relationship to racial stereotypes and US history. It also explains how the notion of the hoax has transformed since the early twentieth century and operates within the contemporary landscape.

Who Should Listen to Bunk?

  • People interested in learning about the exploitation of race
  • Those curious about where America’s obsession with “fake news” stems from
  • American cultural history enthusiasts

About the Author: Kevin Young

Kevin Young is the poetry editor for the New Yorker. He has written ten poetry books, including Blue Laws: Selected & Uncollected Poems 1995–2015, and nonfiction works such as The Grey Album: On the Blackness of Blackness, regarded as a “Notable Book” by the New York Times.

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