Women and Power audiobook cover - A Manifesto

Women and Power

A Manifesto

Mary Beard

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Women and Power
Classical Roots of Misogyny+
Oratory as a Male Domain+
Historical Silencing+
Modern Repression and Abuse+
The Male Template of Power+
Redefining Power+

Quiz — Test Your Understanding

Question 1 of 9
How did ancient Greek culture, specifically in plays like Aeschylus's 'Agamemnon', typically depict powerful women?
  • A. As wise and benevolent rulers who maintained peace during times of war.
  • B. As monstrous hybrids who usurped male power and ultimately brought about disaster.
  • C. As divine figures who guided male heroes to political and military victory.
  • D. As tragic victims who were entirely silent and submissive to the patriarchy.
Question 2 of 9
Why does Mary Beard argue that the goddess Athena is a problematic example of a powerful female figure?
  • A. She was eventually overthrown by male gods in the Greek pantheon.
  • B. She was known for her silence and refusal to speak in public forums.
  • C. She was a mortal woman who was elevated to godhood by men.
  • D. She embodies purely male traits like soldiering and avoids traditional female roles like producing citizens.
Question 3 of 9
In Homer's 'Odyssey', when Telemachus tells his mother Penelope that 'speech will be the business of men,' what specific type of speech (muthos) is he referring to?
  • A. Gossip and superficial chitter-chatter.
  • B. Private conversations within the household.
  • C. Authoritative public speech.
  • D. Religious prayers and chanting.
Question 4 of 9
According to classical Roman scientific and cultural theories, how were women's voices perceived in the context of public speaking?
  • A. As naturally persuasive and calming to the public assembly.
  • B. As cowardly and potentially damaging to the health of the state.
  • C. As identical to men's voices if they were properly trained.
  • D. As divinely inspired but too sacred for daily political discourse.
Question 5 of 9
When women like Hortensia were historically permitted to speak in public forums, what was usually the condition or context?
  • A. They had to wear male clothing to disguise their gender.
  • B. They were only allowed to speak on behalf of specific 'women's issues' or as victims.
  • C. They had to be appointed by the Emperor directly to speak.
  • D. They were required to speak in a lower, masculine register to be heard.
Question 6 of 9
What point does the author make using the 2017 example of Senator Elizabeth Warren being silenced while reading a letter by Coretta Scott King?
  • A. Modern Senate rules are inherently fair but are often poorly enforced.
  • B. Women often lack the oratorical skills required for the Senate floor.
  • C. Even when women have a formal political platform, they still face arbitrary exclusion and silencing.
  • D. The content of the letter was too controversial for public discourse.
Question 7 of 9
Mary Beard notes that modern online abuse directed at women often includes threats to cut out their tongues. Which classical mythological figure does this echo?
  • A. Clytemnestra
  • B. Athena
  • C. Philomela
  • D. Penelope
Question 8 of 9
Why do female politicians like Hillary Clinton and Angela Merkel often favor wearing pantsuits, according to the text?
  • A. Because pantsuits were traditionally worn by powerful women in ancient Rome.
  • B. Because it helps them resemble the commonly accepted male paradigm of power.
  • C. Because the fashion industry heavily sponsors female politicians.
  • D. Because it draws attention away from their political policies.
Question 9 of 9
How does Mary Beard suggest we should redefine power to make it more inclusive of women?
  • A. By treating power as an object to be possessed and wielded exclusively by female leaders.
  • B. By ensuring that 50 percent of all CEO and celebrity positions are held by women.
  • C. By associating power with efficacy and collaborative thinking rather than just status and prestige.
  • D. By completely eliminating all formal political structures and assemblies.

Women and Power — Full Chapter Overview

Women and Power Summary & Overview

In Women and Power (2017), Mary Beard brings her considerable expertise and wry wit to bear on history's treatment of powerful women. Britain's best-known classicist retells stories from the ancient world and brings her analytical insight to the modern day. Beard explores the cultural roots of misogyny, the vilification of women’s voices, and asks whether it’s time for power to be redefined.

Who Should Listen to Women and Power?

  • History buffs
  • People interested in feminism
  • People looking for context to current discussions about sexual harassment, abuse of power and the #MeToo movement

About the Author: Mary Beard

Mary Beard is a professor of classics at the University of Cambridge, a fellow of Newnham College and the British Academy as well as a member of the American Academy of Arts and Sciences. She has been classics editor of the Times Literary Supplement since 1992. She has hosted numerous television programs on the classical world including Civilizations and Julius Caesar Revealed and published best-sellers such as Pompeii and SPQR.

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