The Rest Is Noise audiobook cover - Listening to the Twentieth Century

The Rest Is Noise

Listening to the Twentieth Century

Alex Ross

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The Rest Is Noise
Breaking Wagner's Shadow
Wagner's opulent, grandiose operas dominated European musical tastes into the 20th century.
Richard Strauss introduced shocking dissonance and the tritone interval in his opera Salome.
Gustav Mahler pushed boundaries using competing themes and massive percussive hammerblows.
The Birth of Atonality
Arnold Schoenberg abandoned traditional melody for radical, polarizing dissonance and atonality.
The Second Viennese School pushed mentor Schoenberg's dissonance even further into the sonic wilderness.
Atonal performances sparked outrage, famously causing a literal riot at a 1913 Vienna concert.
Rhythm and Folk Influences
Gramophones allowed city-based composers to integrate diverse global and rural folk rhythms.
Igor Stravinsky shocked Paris with The Rite of Spring's jarring, complex rhythmic ferocity.
Post-WWI Reckoning
WWI's devastation caused composers to shun grandiose romanticism, seeking sounds untainted by the past.
Formalism emerged, prioritizing pure intellectual musical structure over emotional expression.
Gershwin and Ellington successfully elevated American jazz into sophisticated classical formats.
Kurt Weill championed accessible 'music of use' with room for improvisation over elite compositions.
Totalitarianism & Politics
Stalin banned complex formalism, demanding accessible 'people's music' that served Soviet ideals.
Shostakovich survived Stalin's purges by embedding complex tragedy within seemingly triumphant, state-approved symphonies.
Cold War paranoia led the FBI to target populist American composers like Aaron Copland.
Post-WWII Radical Avant-Garde
The Darmstadt School sought aggressively new sounds entirely free of historical fascist baggage.
Total serialism rigorously plotted every rhythm, pitch, and dynamic on strict mathematical grids.
Composers like Stockhausen pioneered early electronic music, synthesizers, and tape manipulation.
American Minimalism
John Cage deconstructed composition using randomness and environmental silence to remove elitism.
Minimalism countered extreme atonality by returning to tonality, space, and hypnotic repetition.
Philip Glass and Steve Reich made contemporary classical music highly popular through rhythmic repetition.
Minimalist music heavily influenced and cross-pollinated with modern visual artists like Mark Rothko.
Legacy in Modern Music
Avant-garde techniques directly influenced rock acts like The Beatles and The Velvet Underground.
Brian Eno and modern electronic artists adapted minimalist concepts into ambient pop production.
The sprawling classical format remains uniquely capable of exploring deep human complexity.

Quiz — Test Your Understanding

Question 1 of 12
What composer cast a 'long shadow' over the early twentieth century with grandiose operas that were later championed by Adolf Hitler?

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The Rest Is Noise Summary & Overview

The Rest Is Noise (2011) takes you on a musical journey through the twentieth century, from the game-changing work of Richard Strauss and Igor Stravinsky to the minimalist compositions of John Cale and Philip Glass. Author Alex Ross puts modern classical music into eye-opening perspective, chronicling the revolutionary changes and how they were influenced by the tumultuous events of the 1900s.

Who Should Listen to The Rest Is Noise?

  • Music buffs and fans of classical music
  • Anyone interested in the history of the twentieth century
  • Scholars of contemporary art

About the Author: Alex Ross

Alex Ross has been The New Yorker’s music critic for over 20 years. His writing has earned him multiple awards, as well as a Guggenheim Fellowship and a MacArthur Fellowship. The Rest Is Noise is his first book and was a Pulitzer Prize finalist.

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