Against Creativity audiobook cover - A critical examination of the contemporary notion of creativity

Against Creativity

A critical examination of the contemporary notion of creativity

Oli Mould

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Against Creativity
Capitalist Appropriation+
The Reality of Creative Work+
Redefining True Creativity+
Creativity as Austerity Policy+
Big Tech's Monetization of Life+
The Illusion of the Creative City+
Conclusion: Reclaiming Creativity+

Quiz — Test Your Understanding

Question 1 of 7
How did the concept of creativity change during the rise of neoliberalism in the 1980s and 1990s?
  • A. It became a tool that individuals must hone to increase their economic value.
  • B. It reverted to its Enlightenment-era definition as a purely artistic endeavor.
  • C. It became recognized as a sacred, divine power used to conjure new worlds.
  • D. It was primarily understood as a method for social rebellion against capitalist structures.
Question 2 of 7
According to the text, how have employers exploited Richard Florida's concept of the 'creative class'?
  • A. By forcing traditional white-collar professionals to attend mandatory art classes.
  • B. By relying on cheaper freelance contracts and asking employees to provide their own workspaces.
  • C. By building expensive, state-of-the-art corporate headquarters to attract top talent.
  • D. By replacing human workers with artificial intelligence in creative industries.
Question 3 of 7
What alternative to the competitive freelance market does the author highlight using examples like the Coffee Cranks Cooperative?
  • A. Government-funded universal basic income for artists.
  • B. Labor unions specifically designed for independent contractors.
  • C. Organizations where workers collaborate as mutual owners rather than competing.
  • D. Corporate sponsorship programs that pay artists for exposure.
Question 4 of 7
How does the author suggest society should view conditions like blindness or deafness to foster true creativity?
  • A. As conditions that can be cured through innovative medical technologies.
  • B. As 'diffabilities' that offer valid, alternative perspectives on the world.
  • C. As tragic barriers that require increased charitable funding.
  • D. As traits that make individuals naturally better at computer programming.
Question 5 of 7
Following the 2008 financial crisis, what did the demand for public institutions to be 'creative' actually mean in practice?
  • A. They were given massive federal grants to produce avant-garde public art.
  • B. They were expected to replace their traditional staff with tech-savvy entrepreneurs.
  • C. They were forced to undergo severe cost-cutting and rely on corporate sponsorships.
  • D. They were legally required to merge with major technology companies.
Question 6 of 7
How has the 'sharing economy' (e.g., Uber, Airbnb) squandered the emancipatory potential of modern digital technology?
  • A. By failing to make their platforms accessible to older generations.
  • B. By using technology to monetize human relations rather than fostering egalitarian collaboration.
  • C. By refusing to use artificial intelligence to optimize their matching algorithms.
  • D. By focusing too heavily on physical goods rather than digital services.
Question 7 of 7
What is a major criticism of the 'creative city' movement, such as the artistic rebranding of Wynwood, Miami?
  • A. It imposes generic, cookie-cutter aesthetic changes while ignoring the practical needs of current residents.
  • B. It focuses too much on classical architecture and ignores contemporary street art.
  • C. It fails to attract outside investors and real estate developers.
  • D. It causes neighborhoods to become overly reliant on heavy manufacturing industries.

Against Creativity — Full Chapter Overview

Against Creativity Summary & Overview

Against Creativity (2018) is a critical examination of the contemporary notion of creativity. This counterintuitive treatise proposes that the modern mandate to “be creative” might harbor hidden downsides.

Who Should Listen to Against Creativity?

  • Workers tired of having to do more with less
  • Activists seeking real solutions to contemporary problems
  • Anyone interested in understanding the negatives of neoliberalism

About the Author: Oli Mould

Oli Mould is a professor of Human Geography at the University of London. His previous work, Urban Subversion and the Creative City, examined the promise and limitations of contemporary social activist movements.

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