Art, Inc. audiobook cover - The Essential Guide for Building Your Career as an Artist

Art, Inc.

The Essential Guide for Building Your Career as an Artist

Lisa Congdon and Meg Mateo Ilasco

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Art, Inc.
Mindset & Authenticity+
Business Foundations+
Marketing & Promotion+
Production & Pricing+
Exhibitions & Galleries+
Commercial Illustration+
Workflow & Balance+
Practical Action Steps+

Quiz — Test Your Understanding

Question 1 of 8
According to the text, what is the most effective way for an artist to achieve greatness and innovate?
  • A. Enduring struggle and suffering to fuel creativity, similar to artists of the past.
  • B. Emulating the techniques and lifestyles of established, famous painters.
  • C. Creating authentic work that reflects their own history and personal events.
  • D. Waiting for a mentor to guide their artistic voice before producing original pieces.
Question 2 of 8
Why does the book emphasize the importance of handling administrative tasks like taxes and business permits?
  • A. It allows artists to justify charging higher prices for their artwork.
  • B. Neglecting these tasks can lead to serious legal trouble.
  • C. It is a mandatory requirement before an artist can hire an agent.
  • D. It guarantees acceptance into prestigious, high-end galleries.
Question 3 of 8
What is a common trap artists fall into when using social media for promotion?
  • A. They spend too much money on targeted advertising and deplete their budgets.
  • B. They post so frequently that they begin to neglect their actual artistic work.
  • C. They share their unique techniques, leading to their work being mass-copied.
  • D. They interact too much with critics and lose their creative confidence.
Question 4 of 8
If an artist wants to sell digital reproductions of their work to renowned galleries, what strategy should they use?
  • A. Use the cheapest printing methods available to maximize profit margins.
  • B. Print an unlimited number of copies to ensure widespread availability and exposure.
  • C. Use archival acid-free paper and ink while limiting the number of copies printed.
  • D. Refuse to use digital reproduction technology and only sell original pieces.
Question 5 of 8
What should an artist do if they cannot find a traditional gallery to exhibit their work?
  • A. Stop creating new art until a gallery officially reaches out to them.
  • B. Change their artistic style entirely to match current commercial gallery trends.
  • C. Pay a high-end gallery a premium fee to display their work for a weekend.
  • D. Organize an exhibition in alternative spaces like a café, shop, or their own studio.
Question 6 of 8
According to licensing consultant Betsy Cordes, what is a crucial rule for illustrators when reviewing commercial contracts?
  • A. They should retain the copyright to their work and only lease it for specific purposes.
  • B. They should sell all ownership rights to the highest bidder to establish their brand.
  • C. They should ensure the client takes full legal and financial responsibility for the copyright.
  • D. They should waive their copyright in exchange for a significantly higher upfront fee.
Question 7 of 8
How does the book suggest artists handle periods of downtime in their careers?
  • A. By drastically reducing the prices of their artwork to attract more clients.
  • B. By taking a complete break from the art world until inspiration strikes naturally.
  • C. By using the time to refresh their portfolio, teach, or take on personal projects.
  • D. By firing their current agent and spending the time finding new representation.
Question 8 of 8
What actionable advice does the book give regarding the physical delivery of sold art?
  • A. Always ship art rolled in a tube to save on postage and handling costs.
  • B. Present and package the art with care, and insure it against theft or damage.
  • C. Ask the buyer to pay for all packaging materials separately to cover costs.
  • D. Use recycled materials exclusively, even if they look shabby, to promote environmental values.

Art, Inc. — Full Chapter Overview

Art, Inc. Summary & Overview

Art, Inc. is a practical guide for artists who want to earn a living from doing what they love. Art, Inc. presents the business side of the art world in a palatable way, sharing useful advice and practical guidance.

Who Should Listen to Art, Inc.?

  • Artists who want to stop struggling and earn money from their work
  • Artists who want to understand the business side of the art world

About the Author: Lisa Congdon and Meg Mateo Ilasco

Lisa Congdon is an illustrator and has worked for The Museum of Modern Art, The Obama Campaign and Simon & Schuster. Her work has also been shown in The Bedford Gallery and The Contemporary Jewish Museum.

Meg Mateo Ilasco is a creative entrepreneur and author of seven books including Craft, Inc. She has been a guest on Martha Stewart Living Radio and her work has been featured in Real Living and Real Simple.

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